Japanese Folk Dance

Common Sword Types Bayonet: A short to medium length blade adapted to fit the muzzle end of a rifle. The first bayonets were made at Bayonne, France around , and the word “bayonet” or “bayonette” entered the English language around A sword with a wide blade used for slashing and cutting rather than thrusting. Large heavy Scottish double-edged variant of the late medieval two-handed sword. The Claymore is characterized as having a cross hilt of forward-sloping quillons with quatrefoil terminations. It was in use from the 15th to 17th centuries. Heavy short sword with curved single-edged blade used by sailors and pirates Dagger:

Identification of Bayonets

We can special order anything from www. Just email us at info nihonzashi. These swords were made from onwards by a group of highly-skilled swordsmiths at the Yasukuni Shrine in Tokyo and are known collectively as the Yasukuni swords. Only of these swords were made and many were destroyed, so in recent years they have become highly collectable. Hanwei is producing these very accurate replicas for collectors unable to afford or obtain originals. It is often associated with the mythical oni.

Japanese literature: Japanese literature, the body of written works produced by Japanese authors in Japanese or, in its earliest beginnings, at a time when Japan had no written language, in the Chinese classical language. Both in quantity and quality, Japanese literature ranks as .

I would appreciate any help you can give me. I was told the father that owned the piece was in the war and took it off a deceased Japanese soldier during some fight in the Marshall Islands. Can you tell me if this is right? And what it might be worth? Thanks again for your help. This appraisal will hardly do justice regarding the subject of Japanese swords and, in fact, may leave our Japanese sword collectors up in arms pun intended.

Unfortunately, there is not enough space in this column or in this entire issue of A. For instance, together a katana matched with a wakizashi form a daisho. To further confuse the issue for those not familiar with Japanese swords, each katana what we commonly refer to as a samurai sword and its saya scabbard can have more than 32 different identifiable parts and surfaces. I have taken the liberty to label some of these components on the photographs you submitted.

To completely understand Japanese blade weapons requires years of dedicated study. Not only study of the sword but of the Japanese culture; it is truly a specialty. There is an entire language associated with Japanese swords and to make matters more challenging for the western collector, these words are Japanese. Also, you did not provide the measurements of your weapon, which are required to even begin to evaluate your sword.

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More commonly “tsukuru” is used in its place with both words meaning to “make, create, manufacture. A koshirae should be presented with the tsuka hilt to the left, particularly in times of peace with the reason being that you cannot unsheathe the sword easily this way. During the Edo period, many formalized rules were put into place: Koshirae were meant not only for functional but also for aesthetic purposes, often using a family mon crest for identification.

Types of koshirae[ edit ] Tachi[ edit ] The tachi style koshirae is the primary style of mounting used for the tachi , where the sword is suspended edge-down from two hangers ashi attached to the obi. The hilt was usually secured with two pegs mekugi , as compared to one peg for shorter blades including uchigatana and katana.

Kabutowari – Helmet-Splitting. On February 16, , master swordsman and Shinkendo founder Obata Toshishiro-kaiso performed a rare, record-setting kabutowari (helmet-splitting) test using a sword created in the traditional Japanese fashion by American swordsmith Paul Champagne. The sword was only lightly polished, and was unmounted save for a length of nylon rope tied around the tang.

During the first half of the 20th century, the term “bastard sword” was used regularly to refer to this type of sword, while “long sword” or “long-sword” , if used at all, referred to the rapier in the context of Renaissance or Early Modern fencing. Swords with exceptionally long hilts are found throughout the High Middle Ages, but these remain rare, and are not representative of an identifiable trend before the late 13th or early 14th century.

The longsword as a late medieval type of sword emerges in the 14th century, as a military steel weapon of the earlier phase of the Hundred Years’ War. It remains identifiable as a type during the period of about to From the late 15th century, however, it is also attested as being worn and used by unarmoured soldiers or mercenaries. Use of the two-handed Great Sword or Schlachtschwert by infantry as opposed to their use as a weapon of mounted and fully armoured knights seems to have originated with the Swiss in the 14th century.

By the second half of the 16th century, it persisted mostly as a weapon for sportive competition Schulfechten , and possibly in knightly duels. Distinct “bastard sword” hilt types developed during the first half of the 16th century. Ewart Oakeshott distinguishes twelve different types. By the late 16th century, early forms of the developed-hilt appear on this type of sword. Beginning about , the Swiss sabre schnepf in Switzerland began to replace the straight longsword, inheriting its hilt types, and the longsword had fallen out of use in Switzerland by

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A greater number of such swords were excavated from ancient burial mounds and it is likely that they are a mixture of both continent-made and domestically made products but clear differentiation is no longer possible. It is thought that the latter two types have a more advanced blade form. The change from straight swords to curved swords seems to have resulted from the changes in battle styles from infantry battles to mainly cavalry.

Straight swords are convenient in thrusting while on foot, but not so when used from a mounted position. Experience must have shown that curved swords were more desirable in the new style of battle. This is the best arrangement to create a well-balanced structure as well as the most beautifully proportioned curvature.

Japanese swordsmithing is the labour-intensive bladesmithing process developed in Japan for forging traditionally made bladed weapons (nihonto) including katana, wakizashi, tantō, yari, naginata, nagamaki, tachi, uchigatana, nodachi, ōdachi, kodachi, and ya (arrow).. Japanese sword blades were often forged with different profiles, different blade thicknesses, and varying amounts of grind.

More commonly “tsukuru” is used in its place with both words meaning to “make, create, manufacture. A koshirae should be presented with the tsuka hilt to the left, particularly in times of peace with the reason being that you cannot unsheathe the sword easily this way. During the Edo period, many formalized rules were put into place: Koshirae were meant not only for functional but also for aesthetic purposes, often using a family mon crest for identification. Types of koshirae[ edit ] Tachi[ edit ] The tachi style koshirae is the primary style of mounting used for the tachi , where the sword is suspended edge-down from two hangers ashi attached to the obi.

The hilt was usually secured with two pegs mekugi , as compared to one peg for shorter blades including uchigatana and katana. The tachi style koshirae preceded the uchigatana katana style koshirae. Uchigatana katana [ edit ] The uchigatana style koshirae is the most commonly known koshirae and it is what is most associated with a samurai sword. Swords mounted in this manner are worn with the cutting edge up as opposed to the tachi mounting, in which the sword is worn with the cutting edge down.

Han-dachi half tachi [ edit ] The han-dachi koshirae was worn katana-style but included some tachi related fittings such as a kabuto-gane instead of a kashira. Aikuchi[ edit ] Aikuchi, circa The nomenclature of the word “aikuchi” is the following: The same formula is used in koi-guchi. So, aikuchi initially was a style of mounting in which the fuchi meets the koi-guchi.

Why Do the Japanese Hunt Whales? Whale Wars

Japanese tattoos have become a uniquely masculine tradition for guys of all backgrounds. Eastern imagery is poignantly profound, and austere Asian body art is bound to stay in style forever! Their tirelessly innovative tattoo revolution stems from triumphant old-school tribalism.

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Whilst this custom is known to be practiced in different parts of the world, including Southeast Asia, the Pacific Islands, and even South America, it is most commonly associated with Japan. It is undeniable that traits deemed attractive and beautiful are often dictated by a society, and black teeth, until the end of the 19th century, was regarded as a sign of beauty in Japan.

Nevertheless, blackened teeth were more than just a mark of beauty in Japanese society, and served other purposes as well. A woman with teeth stained black by the practice of Ohaguro. First, iron fillings are soaked in tea or sake. When the iron oxidizes, the liquid would turn black. The taste of the dye is said to be harsh, hence spices such as cinnamon, cloves and anise, would be added to it.

In order to keep the teeth black, the process be repeated once a day or once every few days.

Japanese sword mountings

Interrupting Kawanakajima and defeating both Kenshin and Shingen , he proceeds onwards towards Owari. During the time of his arrival, Nobunaga and Yoshimoto are at odds in Okehazama. Slaying Yoshimoto, his ambitions to wrestle power away from him amuses Nobunaga. The young lord corners his rival but the elder’s calm indifference to his efforts stuns him from dealing the finishing blow. Taking Ise with ease, Nobunaga uses the opportunity to reclaim Owari from the Date’s control.

You raise so many good points, Ken. I know exactly what you mean about the “ever-loftier” goals thing. Since I only started learning Japanese last year, I’m at the stage of mastering survival phrases, but in the process of trying out those survival phrases with Japanese friends, I feel myself getting sucked deeper into the learn-more-Japanese vortex.

Chinese for the Chinese market. Adjusted for Japanese use. Late 17th to early 18th century. Description Presented here is a purely Chinese saber guard dating from roughly It is a simplified and more down to earth version of the typical highly complex Sino-Tibetan work that was so popular in the early Qing court, featuring two dragons chasing a pearl or jewel in scrollwork. Imperial guardsmen and princes frequently acted as interim commanders on the battlefields of the Qing, which often caused a trickle down effect among the officers and soldiers they temporarily visited.

Such fashions were then copied, albeit more crudely. We can be sure it was Chinese, for the Chinese market because the tang is cut in a way that the blade is aligned downward in relation to the depiction of the dragons.

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At the beginning of the Edo period, when Hosokawa Tadaoki, himself a well-known practitioner of tea ceremony, was appointed lord of the Komura province, he summoned a Korean potter Sokai Agano Kizou , traveled up to Agano in the Toyosaki province and constructed a workshop – thus began Agano ware. So well-loved by tea ceremony artisans that it was counted as one of the Enshu Nanagama during the Edo period.

Agano ware specializes in its variety of enamels used, as well as the natural patterns produced by the glaze melting in the furnace – hardly any decoration is used. Akahada ware Akahada ware is the pottery of Nara City and Yamatokoriyama City in Nara Prefecture, a region dotted with ceramic workshops.

Japanese sword mountings are the various housings and associated fittings that hold the blade of a Japanese sword when it is being worn or stored. Koshirae (拵え) refers to the ornate mountings of a Japanese sword (e.g. katana) used when the sword blade is being worn by its owner, whereas the shirasaya is a plain undecorated wooden mounting composed of a saya and tsuka that the sword .

The handle mounts, consisting of a matching set of pommel piece fuchi and ferrule kashira with dragons chasing the “pearl of wisdom” cut in high relief. They are in a strongly Chinese inspired style that is referred to as nanban , literally “Southern Barbarian” because their ships typiclaly approached Japan from the south. While sword guards tsuba in this style are not uncommon, fuchi kashira sets are very rarely encountered.

I only know of very few here and there in private and museum collections. This set of fuchi kashira has a very unusual feature, in that each consists of two parts: The actual fitting and a separate beaded rim, made of copper which was subsequently fire gilt, leaving a thick layer of pure gold on its surface. What few Japanese collectors would pick up on is that these rims are meant to emulate the style of beaded rims found on Chinese sword mounts, particularly those associated with the Manchu imperial clan of the 17th and early 18th centuries.

50 Japanese Tattoos for Men – Masculine Motifs Dating Back To 10,000 B.C.

The possibilities are absolutely endless when it comes to integrating a Katana sword into a tattoo design. They can easily be integrated into a large Japanese back piece- or even full body suit for the extremely dedicated ink addict — but they can also serve extremely well as an interesting smaller piece. Considered one of the more civilized and elegant weapons of war, the sword has been respected for centuries around the world.

Tattoo enthusiasts can prominently feature the slender, sleek Katana sword using other highly symbolic elements like flowers, fire, water, and animals to create a more complete expression and fill in more open skin. A sword depicted with a snake is said to symbolize fertility, while a sword with a dragon represents protection and good luck.

To soften the hardness of the sword, a Geisha can provide a delicate touch of beauty.

Kult Of Athena – Spears – SH – Hanwei Japanese Yari – The Yari was an essential battlefield weapon of the Samurai and took great skill to use and maneuver due to its length and size. The Hanwei Japanese Yari is based on original dating to feudal Japan. The blade is forged in T high-carbon steel and is triangulated and double-edged with a deep fuller on the flat side of the blade.

More commonly “tsukuru” is used in its place with both words meaning to “make, create, manufacture. A koshirae should be presented with the tsuka hilt to the left, particularly in times of peace with the reason being that you cannot unsheathe the sword easily this way. During the Edo period, many formalized rules were put into place: Koshirae were meant not only for functional but also for aesthetic purposes, often using a family mon crest for identification.

Types of koshirae Edit Tachi The tachi style koshirae is the primary style of mounting used for the tachi , where the sword is suspended edge-down from two hangers ashi attached to the obi. The hilt was usually secured with two pegs mekugi , as compared to one peg for shorter blades including uchigatana and katana. The tachi style koshirae preceded the uchigatana katana style koshirae. Uchigatana katana The uchigatana style koshirae is the most commonly known koshirae and it is what most people associate with a samurai sword.

Swords mounted in this style of koshirae are worn with the cutting edge up as opposed to the tachi style koshirae were the sword is worn with the cutting edge down.

Hands On Japanese Sword Fighting With “Soul Calibur VI”

One individual named Chen An apparently wielded a great sword over two meters in length. In the 6th century, Qimu Huaiwen introduced to Northern Qi the process of ‘co-fusion’ steelmaking, which used metals of different carbon contents to create steel. Apparently daos made using this method were capable of penetrating 30 armour lamellae. It’s not clear if the armour was of iron or leather. Soft iron was used for the spine of the sabre, He washed it in the urine of the Five Sacrificial Animals and quench-hardened it in the fat of the Five Sacrificial Animals:

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We don’t use anything on our swords or on our throats. Unless our throats are extremely dry, the saliva in the throat is usually lubricant enough to help the sword slide down. Most sword swallowers, however, prefer to lick their swords with a little saliva to libricate them so they are not quite so dry before they swallow them.

Other sword swallowers use cooking oil, olive oil, or Japanese Kurobara Camellia oil to help the sword slide down. Some of us also use oils on our blades after the performance to help keep our blades lubricated and to protect them from pitting and rusting. Do you use Chloraseptic or other products to numb or coat the throat to dull or suppress the gag reflex?

We definitely don’t use anything to numb our throats; Numbing the throat would be VERY dangerous, as we would not be able to feel where the blade goes or what we might be hitting or puncturing. It is very important for us to be able to feel the sword to assure the correct placement of the blade all the way down.

Do Japanese People Want to Date Foreigners? 日本人にインタビュー!英語と外国人との恋愛について in Tosu


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